Shostakovich 24 preludes and fugues pdf

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shostakovich 24 preludes and fugues pdf

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This is a second, completely revised edition of a posting which I started in November It still covers the 24 Preludes and Fugues, op. However, several factors brought me to rewrite the posting:. On this occasion, Dmitri Shostakovich was sent to Leipzig, as cultural ambassador.

Dimitri Shostakovich: 24 Preludes And Fugues For Piano Op.87 Vol 1: Piano

Composer or Director: Dmitri Shostakovich. To many readers of Gramophone , Keith Jarrett will no doubt be pre-eminently a ''jazz pianist''. In fact there's very little that's startling about this recording, apart perhaps from the meticulous clarity of the playing the beautifully focused ECM recording helps of course. I can't remember another performance of the tumultuous D flat major Fugue in which the details have stood out so finely or the voices maintained their identity with such compelling consistency. There are a few surprises though; not least the overall timing. Jarrett's cycle takes about half an hour less than the dedicatee Tatyana Nikolaieva's Gramophone Award-winning set on Hyperion. It's another good example of the huge difference that can exist between psychological and clock time.

24 Preludes and Fugues (Shostakovich)

He composed them quickly, starting on October 10, , and finishing on February 23, While his work would pay homage to Bach, Shostakovich's work would have several fundamental differences. First, the order of the individual pieces would be organized around the circle of fifths with a prelude and fugue in the relative minor following each major key piece rather than in ascending semi-tonal order of Bach's work. Second, Shostakovich's pieces would be composed in order — that is, C major - A minor followed by G major - E minor followed by D major - B minor — and, more significantly, this order would have a sort of subliminal narrative sub-text, taking the music from the 'innocent' tonal world of the C major Prelude and Fugue to the profound and sublime severity of the concluding D minor Prelude and Fugue. Finally, Shostakovich's work, although conservative in its counterpoint and harmony — that is, there are no examples of invertible or reversible themes or counterpoint and the pieces are for the most part recognizably tonal in language — is still clearly the work of a modernist composer; his counterpoint and harmony may be conservative but the emotional and spiritual worlds of the preludes and fugues is at once sincere and ironic.

Welcome to Hyperion Records, an independent British classical label devoted to presenting high-quality recordings of music of all styles and from all periods from the twelfth century to the twenty-first. Hyperion offers both CDs, and downloads in a number of formats. The site is also available in several languages. Please use the dropdown buttons to set your preferred options, or use the checkbox to accept the defaults. Of these three, Leipzig was undoubtedly the musical capital of the whole of Germany, the city of Mendelssohn, Schumann and Richard Wagner, the home of the Conservatory and the Gewandhaus. Most importantly of course, it housed the church of St Thomas, the Thomaskirche, dating from the late fifteenth century, which had survived the wartime Allied bombardment.

Shostakovich (24) Preludes and Fugues

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24 Preludes and Fugues, Book 1 (Bachlund, Gary)

The cycle was composed in and while Shostakovich was in Moscow and premiered by pianist Tatiana Nikolayeva in Leningrad in December ; [1] it was published the same year. The complete work takes about two and a half hours to play.

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Взяв себя в руки, она перечитала сообщение. Это была та же информация, которую получил Стратмор, когда сам запустил Следопыта. Тогда они оба подумали, что он где-то допустил ошибку, но сейчас-то она знала, что действовала правильно. Тем не менее информация на экране казалась невероятной: NDAKOTA ETDOSHISHA. EDU - ЕТ? - спросила Сьюзан. У нее кружилась голова.  - Энсей Танкадо и есть Северная Дакота.

ГЛАВА 27 Тени в зале шифровалки начали удлиняться и терять четкость. Автоматическое освещение постепенно становилось ярче. Сьюзан по-прежнему молча сидела за компьютером, ожидая вестей от Следопыта. Поиск занял больше времени, чем она рассчитывала. Мысли ее мешались: она тосковала по Дэвиду и страстно желала, чтобы Грег Хейл отправился домой. Но Хейл сидел на месте и помалкивал, поглощенный своим занятием.

Стратмор глубоко вздохнул. Ясно, что без объяснений ему не обойтись. Она это заслужила, подумал он и принял решение: Сьюзан придется его выслушать. Он надеялся, что не совершает ошибку. - Сьюзан, - начал он, - этого не должно было случиться.  - Он провел рукой по своим коротко стриженным волосам.

Shostakovich (24) Preludes and Fugues